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Dye-sublimation bonds ink into polyester fibers under heat, producing edge-to-edge all-over prints that won't fade, peel, or crack. Screen printing layers ink on top of the fabric via stencils — limited color count per design, edge-to-edge coverage not practical for complex graphics, plastic hand feel on dark garments. Use sublimation for all-over prints, polyester sportswear, and small-batch runs (low MOQ 50). Use screen printing for high-volume 1–4 color cotton tees. We run sublimation in-house.
Last reviewed: 2026-09-18 · By: Ramon Wang, Sales Director, SublimApparel
Which method fits your B2B apparel order?
Sublimation and screen printing are the two most common decoration methods for B2B apparel, but they fit very different briefs. Sublimation prints edge-to-edge on polyester with photographic color. Screen printing lays spot color on cotton, poly-cotton, and most knits at the lowest per-unit cost at volume. The right pick depends on fabric, design complexity, order size, and durability target. This page compares them side by side.
Pick screen printing for 1-3 color logos on cotton or poly-cotton at 100+ pieces. Pick sublimation for all-over print, photographic artwork, or full-color designs on polyester at 30+ pieces. If your apparel is 100% cotton and you need all-over print, the right call is allover digital print (cut-and-sew) or DTF, not screen print and not sublimation.
| Dimension | Screen Printing | Sublimation |
|---|---|---|
Best fabric Substrate compatibility | Cotton, poly blends, fleece, tri-blends — most knits | 100% polyester, poly-rich blends (light/white only) |
Color vibrancy Saturation and contrast | Excellent for spot colors; gradients need halftones | Excellent — dye bonded into fiber, full CMYK range |
All-over print Edge-to-edge coverage | No — limited to ~14×16 in per color per location | Yes — full fabric panel printed before sewing |
Photographic / gradient Complex artwork | Requires halftone screens, expensive at high color count | Native — print any photo, gradient, or texture |
White ink on dark shirts Underbase capability | Yes — plastisol white underbase is the standard | No white ink — dye is transparent, no underbase |
Hand feel Texture on the printed area | Plastisol: a noticeable ink film. Water-based: soft but lighter color | Zero — ink is inside the fiber, no surface layer |
MOQ sweet spot Where each method becomes economical | 50-100 pieces per design (setup amortized) | 30-50 pieces per design (transfer paper + press setup) |
Per-unit cost (1-color logo, 200 pcs) Comparable order size | $3.50-5.00 / shirt (cotton blank + 1-color print) | $7-12 / shirt (poly blank + dye) |
Per-unit cost (full-color all-over, 200 pcs) Comparable order size | Not feasible (would need 8-12 spot colors at huge setup cost) | $9-14 / shirt (poly blank + full dye) |
Durability (50+ washes) Color fastness over time | Plastisol: can crack with abrasion. Water-based: fades over time | Won't crack, peel, or fade for the life of the garment |
Setup time Time to first article | 1-3 days (screen burning + color mixing) | Same day (transfer paper + heat press) |
Lead time (bulk, 200 pcs) Production time after sample approval | 7-12 days | 10-15 days |
Eco profile Ink chemistry | Plastisol: PVC-based. Water-based: lower impact | Water-based dye, no PVC, OEKO-TEX certified |
Best fit When to pick this method | 1-3 color logos on cotton or poly-cotton at 100+ pcs | All-over print on polyester at 30+ pcs, or any photographic design |
When to use DTG on cotton instead of sublimation on polyester.
Why polyester is the canonical sublimation substrate.
How the same order's shipping terms change the landed cost.
Sublimation, screen print, DTG, DTF, embroidery, 3D puff, rhinestone — all in one place.
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